• Hechizas
  2022, Museo de Arte Contemporáneo de la Universidad de Chile (MAC), Santiago, Chile.
  Curator: Sebastián Vidal
  
  
• The Fiction of Future
  Mixta, Paris, France, September 2021.
  Christian Anwandter
  
  
• The Unhappy Gene,
  (Rojas, Sergio [editor]), [cuatro treintaitrés] Magazine, Nº 4, Dossier Art on the Frontiers of Posthumanism, Visual Arts Department, Faculty of Art, Universidad de Chile, Santiago, 2021.
  Demian Schopf
  
  
• Living Networks: Trans-Corporalities and Techno-Individuation
  La Fuga Magazine, Nº 25, Dossier images, bodies, algorithms, Santiago, 2021
  Diego Gómez
  
  
• NETescopio
  2021, Museo extremeño e iberoamericano de arte contemporáneo (MEIAC), Badajoz, Spain.
  Curator: Gustavo Romano
  
  
• Máquina Cóndor and Máquina de Coser in puerto80lab
  2021
  Edited by: Gustavo Romano, Belén Gache, Eugenio Tisselli, Milton Laufer and Alex Saum
  
  
• Stuffed animals as neoliberal ruins. Demian Schopf's Silent revolution
  in: Ayala, Matías, Poetics of the Living, the Animal and the Impersonal
  2020, Metales Pesados Editions, Santiago, Chile.
  Matías Ayala
  
  
• 10 Key Chilean Artists
  La Tercera newspaper, Santiago, Chile, 27/10/2019
  Denisse Espinoza
  
  
• Open Borders. Migrations of the Visual Arts in Chile
  2019, Valparaíso University Press, Pontificia Universidad Católica de Valparaíso, Valparaíso, Chile.
  Gaspar Galaz and Milan Ivelic
  
  
• Intramural
  2019, Metales Pesados Editions, Santiago, Chile.
  Nathalie Goffard
  
  
• Antinomies of the Twenty-First-Century Neobaroque: Cormac McCarthy and Demian Schopf,
  The Oxford Handbook of the Baroque, 2019, Oxford University Press, Oxford, UK.
  Monika Kaup
  
  
• Incognitum. Contemporary Circumnavigations
  Cordoaria Nacional - Casa da America Latina- Padrão dos Descobrimentos - Galeria da India, Lisboa, Portugal, 20/06/2020 – 31/08/2020.
  Curated by: Isabel Carlos, Raúl Miranda
  
  
• Incognitum. Contemporary Circumnavigations
  Museo Regional de Magallanes, Punta Arenas, Chile.
  Curated by Isabel Carlos, Raúl Miranda
  
  
• Incognitum. Contemporary Circumnavigations
  Museo Nacional de Bellas Artes - Museo de Artes Visuales, Santiago, Chile.
  Curated by Isabel Carlos, Raúl Miranda
  
  
• Lights of Chile
  193 Gallery, Paris, France, 14/03/2019 – 14/05/2019.
  
  
• Interconnected nodes. Intersections between Art, Science, Technology and Society (within the 50th anniversary celebration of The Leonardo Journal by MIT Press)
  Centro de Fotografía de Montevideo and Anilla Cultural Latinoamérica-Europa, Montevideo, Uruguay, 23/11/2018-14/02/2019.
  Curated by: Delma Rodríguez
  
  
• From Here to Modernity
  Museo Nacional de Bellas Artes, Santiago, Chile, 16/11/2018 - 30/05/2020.
  Curated by: Gloria Cortés
  
  
• DISOBEDIENT FASHION II: Fashion and Ugliness
  MAC / Museo de Arte Contemporáneo, Santiago, Chile. 16/10 – 19/10, 2018.
  
  
• Computer Art Congress 6.0 – Computer and Media Art Education
  Universidad de Guanajuato, Mexico, the University of Texas at Dallas, USA, Digital Humanities Department (DHD) at the University of Paris 8, France, Guanajuato, México. 10/10 – 12/10, 2018.
  
  
• Conceptual art, analytical proposition and generative art: a historical case and a current case
  180 Magazine, Faculty of Architecture, Art and Design, Universidad Diego Portales, Santiago, Chile, 2018.

• Máquina Cóndor,Galería Gabriela Mistral, 2006, Santiago, Chile.

• Conspiracies around the arquebus: angelic returns and apocryphal ebbs in Demian Schopf and Juan Domingo Dávila
  Anuario del Departamente de Historia y Teoría del Arte, Universidad Autónoma de Madrid, Madrid, december 2023.
  Ignacio Veraguas Caripan
  
  
• Carnival, dystopia and revolution. About The Minor Choirs of Demian Schopf
  Arte, Individuo y Sociedad, Universidad Complutense de Madrid, Madrid, march 2023.
  Francisco Cruz
  
  
• The Fiction of Future
  Mixta, Paris, France, September 2021.
  Christian Anwandter
  
  
• Living Networks: Trans-Corporalities and Techno-Individuation
  La Fuga, Nº 25, Dossier images, bodies, algorithms, Santiago, 2021
  Diego Gómez
  
  
• Stuffed animals as neoliberal ruins. Demian Schopf's Silent revolution
  in: Ayala, Matías, Poéticas de lo viviente, lo animal y lo impersonal
  2020, Metales Pesados Editions, Santiago, Chile.
  Matías Ayala
  
  
• Final Landscape. Pensar y Poetizar, Nº 15, 50 Years Special Edition (1968-2018), Instituto de Arte, Pontificia Universidad Católica de Valparaíso, 2019.
  Francisco Cruz
  
  
• Antinomies of the Twenty-First-Century Neobaroque: Cormac McCarthy and Demian Schopf, The Oxford Handbook of the Baroque, 2018, Oxford University Press, Oxford, UK.
  Monika Kaup
  
  
• The Neobaroque Prose of the World, Máquina Cóndor, Galería Gabriela Mistral, 2006, Santiago, Chile.
  Sergio Rojas
  
  
• PLÁSTICA-CHILE: Plan Cóndor in a Conceptual Key, Inter Press Service, Septiembre, 2006. Rome, Italy.
  Daniela Estrada
  
  
• CHILE: Disturbing Exhibit Combines Technology, Human Rights, Art, Inter Press Service, September, 2006. Rome, Italy.
  Daniela Estrada
  
  
• Mensenrechtenschendingen Worden Cyberkunst, Moondial Nieuws, October, 2006. Brussel, België.
  Daniela Estrada
  
  
• The Redemption of the Chilean Condor, ABC, September 15, 2006. Madrid, Spain.
  Nilo Casares
  
  
• Silent Revolution. Latin-American Apocryphal Angels, Demian Schopf. La Rivoluzione Silenziosa degli Angeli, A Cura di Elena Agudio, Paz A. Guevara, Febrero, 2009. Bergamo, Italy.
  Paz A. Guevara
  
  
• The Patio of Earthly Delights, 2013. Santiago, Chile.
  Nathalie Goffard
  
  
• Demian Schopf: between Babel and Las Vegas, La Panera, Art and culture monthly newspaper, Arte+ Corporatión
  Paola Pino
  
  
• CHILE: Disturbing Exhibit Combines Technology, Human Rights, Art
  Inter Press Service, September, 2006. Rome, Italy.
  Daniela Estrada
  
  
• Mensenrechtenschendingen Worden Cyberkunst
  Moondial Nieuws, October, 2006. Brussel, België.
  Daniela Estrada
  
  
• The Patio of Earthly Delights
  2013. Santiago, Chile.
  Nathalie Goffard
  
  
• Our First Condition is that of Monsters
  Atlas, November, 2015. Santiago, Chile.
  Paz López
  
  
• Animals, Museum and Photography. The Silent Revolution of Demian Schopf, Cuadernos de la escuela de arte, Nº21, Escuela de Arte de la Facultad de Artes de la Pontificia Universidad Católica de Chile, December 2016. Santiago, Chile.
  Megumi Andrade Kobayashi
  
  
• La Danza di zio Diavolo, Art e Dossier Magazine, January, 2016. Florence, Italy.
  Elena Agudio

• "Lo digital es un problema totalmente de lenguaje", Cultura Digital Chile, 2018, Santiago, Chile.
  Carolina Gaínza
  
  
• "Entrevista a Demian Schopf", Plataforma Artes y Medios (PAM), 2016, Santiago, Chile.
  Valentina Montero
  
  
• "Demian Schopf y Beatriz Bustos sobre “La Nave” y el Neobarroco Andino", Revista Artishock, 2015, Santiago, Chile.
  Beatriz Bustos
  
  
• "Sobre Los Coros Menores", originalmente publicado en Revista Artishock, 2013, Santiago, Chile.
  Rodolfo Andaur
  
  
• "About los Tíos del Diablo", Artishock Magazine, 2013, Santiago, Chile.
  Rodolfo Andaur
  
  
• "Demian Schopf - Máquina de Coser", 2010, Santiago, Chile.
  Daniel Reyes León
  
  
• "Hablar de Ángeles con Demian Schopf", Demian Schopf. La Rivoluzione Silenziosa degli Angeli, A Cura di Elena Agudio, Paz A. Guevara, Febrero, 2009. Bergamo, Italia.
  Elena Agudio
  
  
• "Talking about Angels with Demian Schopf", Demian Schopf. La Rivoluzione Silenziosa degli Angeli, A Cura di Elena Agudio, Paz A. Guevara, Febrero, 2009. Bergamo, Italy.
  Elena Agudio

• Subject to psychotropic control,
  In: LUR: Platform specialized in the creation and dissemination of content on photography, Ed. Muga, Gijón, Spain, 2023.
  
  
• Ptoschí,
  In: Dismantling the Nation: Contemporary Art in Chile, Edited by: Florencia San Martín, Carla Macchiavello y Paula Solimano, Amherst MA, USA, Amherst College Press, 2023.
  
  
• The Unhappy Gene,
  (Rojas, Sergio [editor]), [cuatro treintaitrés] Magazine, Nº 4, Dossier Art on the Frontiers of Posthumanism, Departamento de Artes visuales, Facultad de Artes, Universidad de Chile, Santiago, 2021.
  
• 
  Alicia Galán dressed as China Morena, in: Beyond Nature (Depetris Chauvin, Irene and Urzúa, Macarena [editors]), Santiago, Universidad Alberto Hurtado Editions, 2019.
  
  
• Conceptual art, analytical proposition and generative art: a historical case and a current case,
  180 Magazine, Faculty of Architecture, Art and Design, Universidad Diego Portales, Santiago, Chile, 2018.
  
• 
  Sewing Machine
  (Gómez, Diego and Gómez Moya, Cristián [Editors]), CANAL: Visual and Media Studies Notebooks, Nº 1, Dossier: Archaeological Machines, Visual and Media Studies Program, Architecture and Urbanism Faculty, Universidad de Chile, Santiago, 2017.
• 
  Fire and Dogs
  Index, Contemporary Art Magazine, Quito, Pontificia Universidad Católica del Ecuador, 2017.
  
  
• "$ isst Frumious"
  Skepticism, literature and visuality (Oyarzún, Pablo and Rivera Marcela [editors]), Santiago, Ventana Abierta Editions, 2016.
  
  
• One Hundred Eyes
  Pensar y Poetizar, Instituto de Arte, Pontificia Universidad Católica de Valparaíso, 2016.
  
  
• Two Sewing Machines
  Mediation Technologies (Cruz, Daniel [editor]), Santiago, MA in Media Arts, Facultad de Artes, Universidad de Chile, 2015.
  
  
• The Claw of the Monkey
  Artishock Magazine, 2015.
  
  
• A Figure of Nicanor Parra
  Revista Chilena de Literatura, Departmento de Literatura, Facultad de Filosofía y Humanidades, Universidad de Chile, Santiago, 2015.
  
  
• Sewing Machines. Logical Machines, Poetical Automatons and Natural Languague in Contemporary Media Arts
  Universidad de Chile, Facultad de Artes, Thesis to obtain the Degree of Doctor of Philosophy with an MA in Aesthetics and Art Theory, 2015.
  
  
• Alfredo Jaar: an aesthetics of resistance
  Santiago, La Panera Magazine, 2012.
  
  
• Timor Dei
  180 Magazine, Facultad de Arqutectura, Arte y Diseño, Universidad Diego Portales, Santiago, Chile, 2009.
  
  
• The Sewing Machine: Artificial Intelligence and Natural Language
  Departmento de Filosofía, Facultad de Filosofía y Humanidades, Universidad de Chile, 2008.

• Seminar program Expulsion of the triumphant beast
  Santiago, Arte Interdisciplinario Redes, Facultad de Artes de la Universidad de Chile, Consejo Nacional de la Cultura y las Artes, Ministerio de las Culturas, las Artes y el Patrimonio, 2023.
  
  
• Aural Magazine, Nº5
  Valparaíso, Tsonami Editions, 2023.
  
  
• Technologies for a burning planet
  Paz Peña, Santiago, Planeta Editions, 2023.
  
  
• Poetics of the Living, the Animal and the Impersonal
  Matías Ayala, Santiago, Metales Pesados Editions, 2020.
  
  
• Studies About the Next Society
  Dirk Baecker, Santiago, Metales Pesados Editions, 2019.
  
  
• The Senses of Democracy, Perception, Politics, and Culture in Latin America
  Francine R. Masiello, Austin, Texas University Press, 2018.
  
  
• Index, Contemporary Art Magazine Vargas Maldonado, Gonzalo (Editor), Number 4, Reflections on contemporary curatorial practices, Quito, Pontificia Universidad Católica del Ecuador, 2017.
  
  
• Cuéntame
  Fantasna, Santiago, Pirotecnia Records, 2017.
  
  
• Creole image. Photographic practices in the visual arts of Chile
  Nathalie Goffard, Santiago, Metales Pesados Editions, 2013.

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